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Red Highway 50 (copyright Jack Fulton 1999)

Desert Quest

Jack Fulton


"The only thing we learn from history is that we do not learn."

Earl Warren: ex Chief Justice of the U.S. Supreme Court

Death Burn (copyright Jack Fulton 1999)

Death Burn

Burn (copyright Jack Fulton 1999)

Burn by Rodger Jacobson

Bagpipe Overlook (copyright Jack Fulton 1999)

Bagpipe Overlook

Sam, Bill, Rod & Ben into The Maze (copyright Jack Fulton 1999)

Sam, Bill, Rod & Ben into The Maze

Pictograph at The Reapers (copyright Jack Fulton 1999)

Pictograph at The Reapers

Great Shadow (copyright Jack Fulton 1999)

Great Shadow

Full Moon @ The Doll House (copyright Jack Fulton 1999)

Full Moon @ The Doll House

All photographs © Copyright Jack Fulton 1999. All watercolor images © Copyright Rodger Jacobson 1999

Dear Mike,

Juuuuust got back at 11 pm, Saturday night after leaving Hurricane, Utah about 8 am on a blue-skied cloud scudding wet morning. We started out with a Burger King breakfast croissant sandwich w/hash brown potato rounds and a cup of coffee. We would later graduate to crackers, salsa and beer.

Prior to this desert crossing, my best pal, Rodger Jacobsen, a highly experienced mountain bike rider, had organized this expedition w/three of his biking companions: Bill Abright, art teacher of ceramics and techno-wizard; Ben Darche, international financial advisor; Sam Wilson, wetland restorer and photo/writing journalist. Rod, an excellent sculptor and drawer, was the primary inspirational force behind visiting the area known as Canyonlands. He and I had biked into the same region in 1983 and ‘86 visiting Ernie’s Country, The Land of Standing Rocks, and The Needles.

This primarily inaccessible area had been of interest to me since first visiting it in 1964. Though not as isolated as my near death hike into the Elves Chasm area of the Grand Canyon of two years ago, it is stated by the National Park Service to be the most isolated wilderness area managed by them outside of Alaska… so, the territory is very wild, tough and difficult. However, 4 wheel drive vehicles, including the latest American fad called SUV (sports utility vehicle) bring clean families of husband/housewife types with young children and shopping mall wanderers within reach of true wilderness. In fact, while biking into the Doll House area, a group of two SUV's w/families eating licorice whips and drinking Coca Cola, drove past us, hulloing and handing out licorice vines as they crawled past us, for a 4 hour visit just to see what it looked like. For that reason, it is easy, and, in another (ours) it is very difficult. For instance, after all the one-two day trippers leave, who is there to save you if a problem arises? Nadie amigo! Temperatures can reach well over 110° F and you'll fry to death. Fortunately, for this trip, the weather was the coolest in 65 years, barely climbing above 90°.

However, we carried 3 gallons of water on the bikes + sleeping gear + food + cooking gear + amenities of soap, clean socks, comfort food, binoculars, camera and film. I had a pump to purify water found
at seeps in various rock formations.

A large slice of geologic history is available out here: from our present era in the Holocene back two
billion years to the Vishnu schist at the bottom of the Grand Canyon, which is Proterozoic. Those are the oldest rocks (deepest exposures) in northern Arizona. Most of the Colorado Plateau consists of layered sedimentary rocks intermediate in age between Proterozoic and Cenozoic - i.e. Paleozoic & Mesozoic. It is water and wind etching a history of time and we were bicycling into the heart of the matter.

Though I am calling it wilderness, due to it being virtually the same place as millions of years ago, there is an uncanny sense of it being home: as a habitat fit for humans… that is, if you know what you are doing and hold a deep appreciation of the relation of land to life and are cocksure of yourself. Luther Standing Bear, an Oglala Sioux stated in the 19th C: 

"We did not think of the great open plains as wild. Only to the white man was nature a wilderness and only to him was the land infested with wild animals and savage people. To us it was tame, earth was bountiful and we were surrounded by the blessings of the Great Mystery. Not until the hairy men from the east came and with brutal frenzy heaped injustices upon us and the families we loved was it wild. When the very animals of the forest began fleeing from his approach, then it was for us that the Wild West began."

On the route out to 'wilderness', we quit the town of Moab, today festooned with boutiques, zealot bicyclists, German tourists and a flooded Colorado River. Appropriately named after the account in Genesis where Lot fled the iniquity of Sodom:  “Escape for thy life; look not behind thee, neither stay thou in all the plain lest thou be consumed.”  Subsequent to his wife’s saline alteration, their daughters fed him liquor on successive nights to fornicate with him and preserve his seed, the youngest, birthing first, named the son Moab. Whatever irony in this was soon to be encountered.

Pushing to the north a dozen miles, a sudden spiraling and expanding black cloud abruptly rose. Around the next bend we encountered the head-on crash of a pickup which had blown a left front tire causing it to careen into a motor   home, killing five of the six people. There had been less than a second to make a decision as the vehicles impacted at a combined speed of over 120 miles per hour.

The truck was driven by 29 year old Fawnda Lynn Evans with four year old Sierra Dawn and fifteen month Case Morgan. Traveling in the motor home were Jean Paul Weber, his wife Chistiane Kessler and his brother Roger, all of Luxembourg. Whoever was driving was decapitated and both vehicles erupted in flames while the camper portion of the motor home separated from the cab, flew over the truck and crashed onto the road allowing Christine to escape with only scratches.

A highly distraught truck driver met us with waving arms held akimbo and a narrative of attempting to rescue the two children from the fire, one still in the child's seat, but the swirling flames kept him at bay. He was terribly tormented not being able to aid in any way. Overwhelmed with emotion and shocked beyond sensitivity we stared into the cab of the burning truck, the young woman already a charred figure with fat from her body dripping in flames to the highway surface. It was essential to NOT stay there. We drove around the flowing heat, on the wrong side of the road, past Christiane sitting dazed in one of the motor home’s chairs and pushed mindlessly and deeper north. This was not a propitious initiation and reflection of this tragedy remained for the balance of our expedition.

One hundred and twenty miles of silence followed, interrupted by occasional comments on a  speculation as to how it happened, and which saw us noisily bounce over the last 45 miles of dirt road to our point of departure known as Hans Flat. As each of us prepared the bikes and packed gear, Rod unearthed a platinum engagement ring with a centered diamond. Was there some metaphor in this discovery? Were we indelibly wed to calamity? Perhaps this was the message: beware, all ways, of bad fortune, yet wed yourself to the heart's desire. Yes, but the real is individual, not universal.

With accouterments now packed, we rode about a dozen miles to make camp on the rim, peering down and into the distance of The Maze.

From a plane, The Maze appears similar to the convolutions and lobes of a brain. It is a depression, within the geologic region known as the Colorado Plateau, of rounded sandstone, gypsum, rock salt and dolomite formations interconnected by serpentine canyons some of which are boxed in while others can penetrate to the other side. Knowing of English gardens w/hedge mazes, of Lewis Carrol's Alice playing croquet with the Queen of Hearts using  flamingoes colored my curiosity of the place.

Deep in the heart of it is a wondrous pictograph known as The Harvest Scene or Reapers: a transcendental clear depiction of the relationship of humans to Nature. The figures float on the wall like ghosts in that they are long and thin w/antennae or configurations above their heads and some have large Minoan-like eyes. In studying them since first visiting in 1983, I've come to the conclusion they are perhaps drawn to closely resemble the spiritual aspect of water. Water, during rain, leeches minerals from the earth, and flowing over cliff edges stains the walls with black streaks bearing a resemblance to long thin creatures. Too, wispy streaks of rain which fall from cumulus clouds are called vegas, and also resemble the water marks on canyon walls. Since water is the most precious commodity  to life in the desert, the relationship to the figures does make sense. However, none of us really knows why the figures are drawn in that long thin style now called Barrier, and, certainly they predate the Anasazi, perhaps going back over seven thousand years.

The Hinterland